Document Type : researcher
Authors
1 Phd Student
2 Assistant Professor of Communications, Central Tehran Branch, Azad University
3 Azad university
Abstract
This study aims to investigate women in Kiarostami cinema in different historical and social periods to discover and represent the cultural patterns that have dominated women's society.
On this basis, three sweet movies, Report and Ten, have been selected as the field and sample of the study based on the purposeful sampling method. The theoretical framework of this study is based on the theory of representation, and Barth's semiotic analysis method was used to analyze and interpret the data. According to the results of the research, since the power is historically, socially and symbolically in the hands of men, therefore, cultural concepts and categories are defined based on the male system and are inherently dominant concepts.
These concepts and categories in (the film report) are made in passive and violent subjects, in (the film Shirin) they are incapable and of course can be used in some cases for the benefit of men's conditions and in (the film Ten), they are dependent on the decisions and preferences of men's society. , have been represented which, in fact, introduces women as having a subordinate and non-independent identity.
In this way, women face not only structural and social obstacles for progress and change in their lives, but the structure of the patriarchal system, like conscience, is deeply rooted in their minds and thoughts, and even in their absence, it sends a powerful message to women and to them. He reminds them to follow the instructions.
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